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Bebop Spoken There

Béla Fleck: “ And that's the great thing about live performances, you take people on a journey. It doesn't have to be like something else they've heard. It's not supposed to be". DownBeat, April, 2024.

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

The Strictly Smokin' Big Band included Be Bop Spoken Here (sic) in their 5 Favourite Jazz Blogs.

Ann Braithwaite (Braithwaite & Katz Communications) You’re the BEST!

Holly Cooper, Mouthpiece Music: "Lance writes pull quotes like no one else!"

Simon Spillett: A lovely review from the dean of jazz bloggers, Lance Liddle...

Josh Weir: I love the writing on bebop spoken here... I think the work you are doing is amazing.

Postage

16287 (and counting) posts since we started blogging 16 years ago. 169 of them this year alone and, so far, 41 this month (Mar 18).

From This Moment On ...

March

Thu 28: Vieux Carré Jazzmen @ The Holystone, Whitley Road, North Tyneside. 1:00pm. Free.
Thu 28: Gateshead Jazz Appreciation Society @ Gateshead Central Library, Gateshead. 2:30pm.
Thu 28: Richard Herdman Quartet @ Prohibition Bar, Newcastle. 8:00pm. A ‘Jar on the Bar’ gig.
Thu 28: Tees Hot Club @ Dorman’s Club, Middlesbrough. 8:30pm. Guests: Josh Bentham (alto sax); Alan Marshall (tenor sax); Neil Brodie (trumpet); Adrian Beadnell (bass); Graham Thompson (keys); Steve Hunter (drums).

Fri 29: FILM: Soul @ The Forum Cinema, Hexham. 12:30pm. Jazz-themed film animation.
Fri 29: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 29: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 29: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 29: Abbie Finn Trio @ The Vault, Darlington. 6:00pm. Free. POSTPONED!
Fri 29: Thundercat @ Newcastle City Hall.
Fri 29: John Logan @ Prohibition Bar, Newcastle. 8:00pm. A ‘Jar on the Bar’ gig.

Sat 30: Papa G’s Troves @ Prohibition Bar, Newcastle. 8:00pm. A ‘Jar on the Bar’ gig.
Sat 30: Pete Tanton’s Cuba Libre @ Whitley Bay Library, York Road, Whitley Bay. 8:00pm.

Sun 31: 4B @ The Ticket Office, Whitley Bay Metro Station. 3:00pm. Free.
Sun 31: Ruth Lambert Trio @ Juke Shed, Union Quay, North Shields NE30 1HJ. 3:00pm. Free. Lambert, Alan Law & Paul Grainger.
Sun 31: Sid Jacobs & Tom Remon @ Prohibition Bar, Newcastle. 7:00pm. Free. A ‘Jar on the Bar’ gig. USA/London jazz guitar duo.
Sun 31: Bellavana @ The Globe, Newcastle. 8:00pm.

April
Mon 01: Harmony Brass @ Cullercoats Crescent Club. 1:00pm. Free.
Mon 01: Ray Stubbs R&B All Stars @ Billy Bootlegger’s, Ouseburn, Newcastle. 3:00pm. Free.

Tue 02: Jam session @ The Black Swan, Newcastle. 7:30pm. Free. House trio: Dean Stockdale, Paul Grainger, Abbie Finn.

Wed 03: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 03: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 03: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.

Wednesday, November 22, 2017

Thundercat @ O2 Glasgow - November 14

If the West Coast Get Down is a modern-day P Funk, Thundercat is clearly Bootsy Collins, though on stage he looked more like some glitter rock throwback. While all the P Funk bands essentially played funk, there was inevitably loads of jazz, oodles of rock and no small amount of silliness, which belied the undeniable musicality of it all.
The West Coast Get Down, of which Thundercat is an affiliate member, incorporates hip-hop, which is more or less equal parts P Funk James Brown, street funk, reggae DJing and, apparently Gil Scott Heron, jazz, and modern production techniques.
It's an oversimplification to accuse Thundercat of producing pop-funk but it's essentially song-based music but there's plenty of jazz in there too, though more the fusion varieties, rock and funk. Many of the songs went into very intricate freaked out free-form jams which hung together as if by magic. The drummer operated at full pelt throughout and the keyboardist wasn't far behind, with a violinist getting sounds prog rock and Jazz-rock fiddlers could never have imagined in the early seventies.
The man played a six string bass and also stretched it way beyond Larry Graham, Bootsy, Stanley Clark and Jaco, but with the funk only coming through intermittently, and I thought a relentless get down would have been nice.
His voice was actually better live than on record, especially on Marvin Gaye style forced falsetto, though apart from 'awesome' and his increasing use of the f word, I couldn't really understand anything, either spoken or sang, which seems to be a feature of O2s.
My favourite Thundercat track is Oh sheit it's X and I was beginning to think it isn't rated by the faithful when he played it last before returning for an encore of two more songs.
The place was full of studenty types, too cool for the latest guitar bands, and a few oldies desperately trying to hang on to some long lost semblance of cool. though we managed to find some seats with a direct view of the stage.
You travel to Hull to see an artist many consider one of the worlds leading guitarists and one of the greatest living jazz artists, and you travel to Glasgow to see the latest 'new hope' but a better night than either was had on the doorstep by two quartets of local alleycats paying tribute to a pair of giants.
That New Dawn I still live in hope of hasn't quite broken yet.
Steve T.

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